Radiodaze
Revisited: New Faces, New Songs, New Gig
Chris
Manson August
11, 2005 Issue
Last
time I saw Radiodaze, they were playing at Harry T’s. Todd
Bradley mentioned his affection for former boss Sly Stone, and
Robin Ball made clear her love for Rick Springfield. Since then,
Springfield and Sly have both released new CDs, Harry T’s
has closed its doors, and Radiodaze has added three fantastic
new musicians to the lineup.
And then there
are the songs, which can be heard in all their high-energy in-your-face
glory at Sharks Nite Club in Destin. “We’ve gone back
and learned a lot of retro stuff,” Bradley says. In addition
to their winning mix of modern and classic rock, there’s
a nice touch of funk. It’s obvious new axe man Jacob Newman
grew up listening to Sly and James Brown records as well as the
familiar guitar heroes.
Drummer Steve
Camilleri hails from Memphis, and has spent the last couple of
years kicking out the jams around town with Jim Couch, Jones &
Company, and countless others.
“Drive
fast, take chances,” says new bassist Jerry Vinci who played
with Newman for six years in the band None Other. At best, Radiodaze
employs a take no prisoners approach, and the integrity of the
musicians is never in question. Ball wails away on the Jet smash
Are You Gonna Be My Girl? without making the gender switch, and
her commendable stab at Liz Phair’s Why Can’t I? is
the uncensored version. Good for her.
“This
bar is awesome,” Ball says. “It’s got a great
vibe, great people. Totally unpretentious.”
Bradley
adds, “We’ve played at AJ’s, Harry T’s,
and the Village Door, but this place has the best vibe in town.
It’s a very warm atmosphere, a great venue—one of
the only places in town where the focus is on the live music.”
Club manager
Janice Dill couldn’t be more satisfied with Atlanta’s
own. “We were absolutely lucky to get them,” she says.
Sharks opened below LaRocco’s restaurant during Memorial
Day weekend under the banner “Take a bite out of night life,
not out of your wallet.” With the high-energy rock sounds
of Radiodaze added to the mix, Sharks offers an irresistible package.
Other clubs’
commitment to live music—or lack thereof—is a big
concern for musicians like Bradley, who continues to play in Atlanta
on occasion. “It would be so much easier for (the club owners)
to put up a bunch of TVs and cop to the sports bar mentality.
People need to go out and see live music. A lot of kids accept
the Britney Spears canned music, lip-synching.”
Dill says
the band’s unfiltered sound—the live voices and lack
of “accompaniment,” she calls it—is just what
this town needs. Whether it’s a supercharged Jessie’s
Girl, a tried-and-true classic like Honky Tonk Women, or even
a negligible recent song like Drops of Jupiter, Radiodaze makes
this stuff their own. The arrangement of I Will Survive is especially
inventive, allowing Bradley to work a trumpet solo into the not-quite-disco—but
still very danceable—vibe of the Gloria Gaynor-Tony Clifton
favorite.
Radiodaze
appears to be more energized than ever, as Bradley dashes and
bounces around the Sharks stage, threatening to steal away the
title from The Hardest Working Man in Show Business. Is it the
new blood in the band? The fresh locale? Are these “four
a**holes and a chick”—as Camilleri jokingly describes
the group—chugging a six-pack of Amp before they hit the
stage? Don’t ponder the endless possibilities, just go out
and listen to the music. And bring your dancing shoes.
SIDEBAR:
WHO? Radiodaze:
Robin Ball—guitar, keyboards, vocals; Todd Bradley—lead
vocals, keyboards, occasional trumpet; Steve Camilleri—drums;
Jacob Newman—lead guitar; Jerry Vinci—bass.
APPEARING: At Sharks Nite Club in Destin, Wednesdays through Saturdays
beginning at 9 p.m.
SOUNDS LIKE…? Not including their catchy original songs—the
EP Picture Perfect World is available from cdbaby.com as well
as the band’s website—Radiodaze plays between 150
and 200 songs. “We add current material all the time,”
Bradley says. “We try to stay on top of it, but it’s
the timeless stuff that the 21-41 year-olds are diggin’.”
Indeed, a rock and roll classic like I Want You to Want Me is
probably giving someone in some city a charge every single day
of the year, even when the hard-touring Cheap Trick is taking
the night off.
WEBSITE: radiodaze.net
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