The
Golden Compass: An Uneven but Worthwhile Adaptation
Dakota Blue Richards, Daniel Craig, Nicole Kidman
By
Breanne Boland December 13, 2007 Issue
There’s
a fad lately of trolling for cinematic gold in the young adult
section of the bookstore. Producers seeking the same kind of return
the Lord of the Rings or Harry Potter films made have gone to
all corners of YA fantasy lit, digging up series old and new.
So long as the book has a young, precocious main character being
thrust into some kind of quandary in a world fraught with magic/technology/mythical
creates/etc, it’s fair game.
The Harry
Potter books get longer and more complicated as they go on, which
has resulted in films that feel less like adaptations and more
like filmed synopses. Take all the difficulty of building and
explaining a world that parallels our own and add to it enormously
complicated themes and ideas, and you have the His Dark Materials
trilogy, the first book of which has been adapted into The Golden
Compass.
Lyra Belacqua
is a young girl in the custody of an Oxford college. Left to run
wild, she’s developed into a stubborn, deceitful spitfire
of a girl. When her uncle comes to the college to seek a grant
for an expedition to the north to investigate a substance called
Dust, Lyra is pulled from her safe haven into a world of duplicitous
adults, murderous schemes, and social upheaval. Dust is a type
of particle that attaches itself to human consciousness. Adults
are swarmed by it, while children are untouched. The Magisterium,
a moral authority ruling over Lyra’s alternative world,
seeks to banish Dust, thus banishing sin.
Author Philip
Pullman is an avowed atheist, and his books do carry strong anti-theocratic
messages. However, the general theme of the books is to look at
the intentions behind those who would shape the world showing
wisdom and experiences are nothing to be feared. It elevates the
ostensibly young adult series to something that’s captured
many grown readers. However, in order to appeal to a wider audience,
this subtext is further muted, leaving a somewhat clunky feeling
of bad versus good.
The film gets
a number of things right — the casting is extraordinary.
Having such a story rest on a young central character is always
a gamble, but Dakota Blue Richards perfectly embodies defiant,
confused Lyra. Daniel Craig uses the menace and intensity that
served him well in Casino Royale to make a truly intimidating,
driven scientist, and Nicole Kidman’s capacity to be beautiful,
fragile, and cold makes her Mrs. Coulter a quietly frightening
presence. The supporting parts are similarly well cast, making
each new introduction delightful.
The trouble
is there are a lot of introductions. On the page, Pullman had
time and space to explain the various social factions in his created
world. Here, if the audience isn’t familiar with the books,
there’s a great risk of this film being 113 minutes worth
of, “Who? What now? Who are they? Iceland? Bears?”
What creates an intricate world on paper can create a mass of
confusion on the screen. Selective editing could have helped,
but considering this film comes with the potential of two sequels,
there was only so much snipping that could be done.
However, the
suspenseful parts are incredibly tense, and even when the story
is not as well explored as could be, it leaves a feeling of wanting
more. This world of zeppelins and people with external souls embodied
as animals is exciting and decidedly different. It isn’t
a perfect start, but it shows us enough possibility for the rest
of the story to be tremendous.
Bottom line:
a visually sumptuous introduction to a new world
Coming Attractions
Dec. 14
I Am Legend - So nice that the great story by Richard Matheson
has a chance to move beyond the abysmal Omega Man. Will Smith
has always been a good butt kicker, but he looks to be moving
into subtler territory here as the last man in a world overrun
by vampires.
Dec. 21
Sweeney Todd: The Demon Barber of Fleet Street - The spooky team
of Tim Burton, Johnny Depp, and Helena Bonham Carter take on the
ghoulish musical about the vengeful barber and his meat-pie baking
accomplice.
Charlie Wilson’s
War - Tom Hanks and Julia Roberts drawl their way through a movie
that puts a lightweight veneer on an event made even more serious
by its recent resurgence in world events.
National Treasure:
Book of Secrets - I laugh every time I see this trailer. “I’m
gonna kidnap the president of the United States.” Oh my
God. He is. Nicolas Cage is going to kidnap the president in yet
another film about reading conspiracies into history.
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from Breanne Boland
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