Marquez
Serves Up Sweet Memories
Review by Rawlins McKinney
February 9, 2006 Issue
Last month Gabriel Garcia Marquez confessed in an interview that
he had not written a single line in 2005. Could Memories of My
Melancholy Whores be the 78-year-old Nobel Prize winner’s
last published work?
If you consider
the subject matter out of context you might say “I hope
so!” or even “He should have stopped with his 2003
memoir Living to Tell the Tale.” The narrator of this short
novel is an ugly, embittered old journalist who plans to celebrate
his 90th birthday by procuring and deflowering a 14-year-old virgin.
Child pornography? No, not even close. There are only a few writers
who could turn such a sordid premise into a beautiful although
unconventional love story. Marquez is one of them.
The unnamed
narrator of Memories of My Melancholy Whores opens with the declaration
that the year he turned 90, he wanted to give himself “the
gift of a night of wild love with an adolescent virgin.”
He tells us that he has never gone to bed with a woman he didn’t
pay. He was engaged at one point but on his wedding day he locked
himself in his room, leaving his bride at the altar. He endures
a long, loveless and dreary life as a newspaper columnist and
teacher. He admits that although he is intellectually gifted,
he is a poor teacher (his students call him Professor Gloomy Hills)
and a mediocre journalist. He was a favorite of caricaturists
because of his exemplary ugliness. He keeps a record of the prostitutes
he has bedded. One brothel selected him as “Client of the
Year” twice. By the time he is 50 he has listed 514 women
he has been with at least once. He stops counting after that.
Throughout
his long life, he has no awareness of getting older. He had never
thought “about age as a leak in the roof indicating the
quantity of life one has to live.” This attitude changes
as he approaches his 90th birthday. He decides to write his column
about turning 90. He wants to celebrate with a libertine night.
On this birthday his desire “was so urgent it seemed like
a message from God.” He calls a madam he has not seen in
years and says, “Today’s the day." She recognizes
his voice and knows what he wants. The irony is that she had offered
young virgins to him in the past and he had always turned them
down. And now he is giving her an impossible task. Despite her
protests, she has a girl for him within an hour.
The madam
tells him that the girl is 14 and frightened. She is also tired;
she has worked all day in a button factory. The madam confesses
she has given the girl a mixture of bromide and valerian to drink
and she is now sleeping. He enters the room and finds a carefully
groomed adolescent lying nude on a huge bed. He contemplates her
from the edge of the bed, “my five senses under a spell.”
Despite the heavy makeup, he sees her as a “tender young
fighting bull.” He undresses, gets in the bed but does not
wake her. His only physical acts are gently caressing and embracing
the sleeping girl. He then sleeps. When he awakes, he knows that
this is something new for him. Up until now he had chosen his
whores more for their price than their charms, and “had
made love without love.” Now he had discovered the “improbable
pleasures of contemplating the body of a sleeping woman without
the urgencies of desire or the obstacles of modesty.” He
says goodbye to the still sleeping girl with a kiss on her forehead.
It is then that he begins to feel the weight of his years and
thus to start “to count minute by minute the minutes of
the nights I had left before I died.”
He returns
to his virgin every week. She always sleeps; no words are exchanged.
Their liaison is always sensual but never sexual. The old man
is blessed with love for the first time in his life but it comes
with a cost: he finally has an awareness of his own mortality.
It’s a price he is happy to pay.
Let’s
hope that Gabriel Garcia Marquez’s first work of fiction
in 10 years is not his last. Memories of My Melancholy Whores
is evidence that the creator of such masterpieces as One Hundred
Years of Solitude and Love in the Time of Cholera is still in
his prime as he approaches 80. While his latest effort may not
sell the 10 million copies that Solitude did, it will surely claim
a special niche in the oeuvre of this literary giant.
Memories of
My Melancholy Whores, 115 pages, Alfred A. Knopf, available at
booksellers at local libraries.
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