Four Guys
(And One Gal) Walk Into a Bar…
Chris
Manson June
2, 2005 Issue
Never
underestimate the power of a strong backbeat. Even on the slower
songs, drummer Greg Sander of the Hog’s Breath Band pounds
away like a man hell bent on converting every last soul in the
place to the Church of Good Ol’ Rock and Roll.
Sander joined
the overhauled group in March 2004 along with rhythm guitarist
Tim O’Shea and bassist Dave Jones. Sander’s influences
range from the obvious (Led Zeppelin’s John Bonham) to surprising
choices like Steve Smith (one of the many fusion drummers he became
aware of during his studies at the Berklee College of Music).
Sander describes his job as “just holding the whole thing
together,” further explaining that “some folks want
to go fast, some wanna go slow, and I have to know where to be.
I have to listen and know what everyone else is doing.”
What they’re
doing is shaking the walls of the popular Destin restaurant-bar
five nights a week. Veterans Kim Brown and Josh Blackburn round
out the current lineup. Vocalist Brown remains tireless and especially
effective on songs by Stevie Nicks and Bonnie Raitt. Her vocal
resemblance to Nicks on the Fleetwood Mac classic Gold Dust Woman
is remarkable.
Brown worked
with Sander years ago and performed in a duo with O’Shea
while Blackburn was recuperating from an automobile accident two
winters back. She describes her new bandmates as “constant
professionals,” the kind of players who can do up to 45
songs a night for enthusiastic crowds of locals and visitors.
Having recently contributed her fine vocals to an album of songs
written mostly by Greg Barnhill and former Hog’s Breath
Band member Tim Jackson (2004’s Ain’t No Doubt About
That), Brown hopes to put together a CD with the band as well
as a disc of her own compositions.
Lead guitarist
Blackburn continues to sound better and better every time I hear
him. O’Shea’s power chords provide the perfect backdrop
for Blackburn’s often innovative solos—no note-for-note
transcriptions for this guy, who plays and sings from deep within
his soul. Blackburn continues to make solo appearances at Funky
Blues Shack Tuesday nights, with occasional gigs at Harbor Docks.
Jones moved
here with retirement as his goal and ended up playing music full
time. Back in San Antonio he played with the legendary Tex-Mex
organist Augie Meyers (Sir Douglas Quintet, Texas Tornados) among
other greats. Jones’ influences range from Paul McCartney
and inimitable Yes-man Chris Squire to the jazzier sounds of Stanley
Clarke. Jones is a helluva singer, too, giving ZZ Top’s
La Grange just the right amount of rabidity.
Last but certainly
not least among the new guys is O’Shea, who first came to
the Emerald Coast back in the early ‘90s when he played
in the Red Bar’s first house band. After that, he bounced
around from Athens, Ga. to his hometown Cleveland, Ohio before
a six-days-a-week gig at Schooner’s in Panama City Beach
came his way. When Tim Jackson left the old Hog’s Breath
Band, O’Shea was at the top of everyone’s replacement
list.
They couldn’t
have made a better choice. O’Shea not only brings an encyclopedic
knowledge of classic rock and roll to the band—“I
was lucky to have a couple older brothers and sisters who kept
me fed with the good stuff—I was singing the Beatles walking
to kindergarten,” he says—but he also appears to be
up on the newer stuff, too. Indeed, a recent gig found him singing
Los Lonely Boys’ crossover smash Heaven; he also puts his
stamp on songs made famous by Jack Johnson, Coldplay, and U2.
I should note that O’Shea is quite convincing as a honky-tonk
hellion when he sings the Georgia Satellites/John Anderson crowd-pleaser
Keep Your Hands to Yourself.
“Every
night people tell me, ‘You sound great!,’ and I say,
‘It’s easy to sound great playing with these musicians,”
O’Shea says. “Everyone brings their own flavor to
the table and it makes a nice stew.”
O’Shea
also performs with percussionist Clayton Simmons on Tuesday nights
at Hog’s Breath. “We do a lot of different stuff than
what we do in the band. And we put an acoustic twist on some of
the songs that we do play in the band.” He’s also
recording an album of originals with an unusual twist. “I
don’t plan on recording it all in one studio. I’ll
do each song with a different person in town. I think I’m
the last person in Destin to put out a solo album.”
The Hog’s
Breath Band gives the audience what they crave—unadulterated,
high-energy rock and roll. But even more impressive, they are
a “band’s band.” O’Shea mentions that
their pals from Flash Flood, Jones & Company and SYN-R-G often
stop by after their own appearances to jam with the group.
SIDEBAR:
WHO? The Hog’s
Breath Band: Josh Blackburn (guitar/vocals); Kim Brown (vocals);
Dave Jones (bass/vocals); Tim O’Shea (guitar/vocals); Greg
Sander (drums).
APPEARING: Every Wednesday through Sunday at Hog’s Breath
CafÈ & Saloon, 10pm-2am.
THEIR SOUND: “Classic rock,” Blackburn says. “We
try to hit all the bases with everyone covering different genres.
Kim is so good at the Stevie Nicks stuff, Tim’s great at
the real cool bluesy, soulful stuff—he’s got that
really good deep voice. Dave and Greg are both all around badasses
when it comes to music. Dave’s real good at doing ZZ Top—definitely
a great voice. Greg’s a phenomenal drummer.”
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