Black Eyed Blonde Proclaim: “We’re Here to Rock!”
Chris Manson January 16 , 2003 Issue

Wander into Fudpucker’s in Destin any weekend night, and it won’t be long before you’re drawn into the Down Under Bar as Black Eyed Blonde pounds away into the night. It is this explosive sound— what Dan Collins (bass/vocals/guitar) simply calls “rock and roll”—that has made the group a mainstay on the Gulf Coast music scene for the past two years. The hard-rocking quartet—which also includes Brian Peet (drums), Ken Gettinger (lead guitar) and Lootinant Dan (bass/vocals)—perform songs by Cake (Short Skirt, Long Jacket), Sublime (Santeria/Same in the End) and Weezer (Island in the Sun) to name a few. David Cox stood in on lead guitar last Thursday night and contributed some accomplished fretwork. “We’re all from different parts of the country,” Collins said of his bandmates. “I’m from northeast Ohio near Cleveland. Brian’s a military brat—no distinct place that he calls home. Lootinant Dan’s from Georgia.” One endearing quality about this band is their lack of seriousness. “We make jokes to keep ourselves sane,” Collins said. The between-song commentary is very funny and sparks a great rapport with the $2 drink night crowd. Somebody jokingly asks BEB to play Cherry Pie by the mostly forgotten ‘80s hair group Warrant. A little later, as if working his way through the alphabet of pop-metal has-beens, a BEB fan requests a tune by Winger. Collins starts to sing the chorus of She’s Only Seventeen before getting back to business as usual. “Green Day always works and the Violent Femmes really go over. We do some older alternative stuff and newer stuff like Jimmy Eat World to draw in females,” Collins said. “Gotta get the girls in here, then the guys’ll come, we get a crowd.” Collins explained that while the band’s set list has changed to accommodate the women in the audience, the lineup has remained pretty much intact since BEB’s inception. Samantha (she keeps her last name a mystery) joined the guys in June and adds her vocals to No Doubt tunes and ‘80s classics by Pat Benatar and Blondie. “We bring her out for the second and third set once the crowd gets loosened up,” Collins said. BEB’s newest member is also working with Collins on an acoustic rock CD that Peet is producing. “It’s original stuff, song-oriented, Radiohead meets (Red Hot) Chili Peppers. We hope to get it out by the end of the year,” Collins said. He added that the album would be more relaxed than the group’s usual high-powered rock. Currently, the band does not perform original tunes, but Collins plans to add an acoustic “unplugged” set to the Thursday night gigs. He, Samantha and Peet will do “fi ve or six originals” in an intimate setting. “Vocally, we pass it around a little bit. If you play with us, you have to sing lead a little bit,” Collins said. He considers himself primarily a bass player, sporting the fi ve-string bass preferred by today’s “numetal” bands. Collins is a huge fan of Red Hot Chili Peppers—Black Eyed Blonde takes its name from one of that group’s old songs—and its famous bassman Flea. Another of Collins’ bass idols is Abe Laborel, who has done session work with everyone from Steely Dan to Hanson. “He also wrote the theme song to CHiPs,” Collins said. “He’s a monster bass player, killer stuff. Also, Tony Levin’s a real cool bass guy. He gets all the cool gigs, with King Crimson, Peter Gabriel, and fi lling in for (Yes’) Chris Squire with Anderson, Bruford, Wakeman and Howe.” As Earth Wind & Fire’s Let’s Groove fi lls the Down Under bar between the band’s sets, Collins adds that he loves “old school funk.” Catch Black Eyed Blonde at Fudpucker’s every Thursday through Saturday starting at 10 p.m. The band also have their own web site, the informative and amusing www.blackeyedblonde.com. (Top)

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